Posts Tagged 'general audience'

physical model: fold up

fold up model

This representation is the paper fold up model distributed to patrons of the Seattle Central Library, commemorating its opening. From a single surface, by cutting and folding, patrons could easily create the complex sinuous volume of this building. In fact, this model allowed the general public to roughly experience architect’s usual abstraction of 3-D space from a 2-D drawing. Offering a low entry barrier to architectural models, this representation can be compared to the several blogging services (such as wordpress) available on the internet which allow people without any programming skills to take an active role in the digital revolution. For example, this electronic project was only possible with the intuitive, easy and complete tools available in wordpress, which allowed to catalogue and structure in a simple manner our ideas regarding architecture in different media. Having created a database of different representations, only the electronic networked environment of this blogging service permitted the different connections between mediums to be revealed by using the established tag cloud. In fact, this simple digital tool allowed an architect and a film student to roughly experience a programmer’s usual abstraction of code into a functioning program.

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video: tourists on the fourth floor

Like the chartreuse escalator, the shiny red fourth floor area appears in many personal videos and photos, very likely for the same reason that, being a relatively intimate, narrow space through which one moves, it presents the visitor with a personal, cinematic experience of imagery moving past. This is not the overriding logic (or algorithm) of the Library itself however, so it is not surprising that this area is again a transitional space, not one in which the public is meant to linger. It is the “assembly” platform where computer training and meetings take place. The librarian on the video tour skips it entirely.

physical model: book spiral

model interior spiral

In this instance the Seattle Central Library is represented by a physical model of the interior of the book spiral, the four story high floating box between the 6th and 10th floors. This model was created to show the inner workings of this space, particularly the continuity of book stacks, the relation between the rising slabs and the work stations in between. The book spiral was envisioned to be a built manifestation of the digital database of the holdings of this library, as a response to the uncertain evolution of the book collection of this library, and as a way to make as many books as possible easily and directly accessible on the stacks. Therefore, the continuous spiral ramp is the epitome of compartmentalized flexibility, since it is prepared to expand and contract within its confines according to the changes in inventory at almost the same pace as the digital database. This original addition to the architectural vocabulary of spaces, exposes the back end of data container (and its structure) in the aesthetic exercise of the cultural implications perceived on the front end, as patrons find their books catalogued under the Dewey decimal system visible on the circulation section of the ramp.

3-D wireframe: walking approach to building

3D approach

This sequence of images illustrates the approach to the Seattle Central Library by a pedestrian walking North on 5th Avenue. These images have been rendered to wireframe in 3-D Computer Assisted Drawing software, which in this situation was used to calculate the different perspectival views of the East and South elevations of the library, as well as of the surrounding buildings. The library is differentiated from the rest of the buildings by the higher level of detail, conveying a tactile impression of its glass and steel net envelope. Even if in this example the building is central in the images, there is an underlying focus on the absent presence of the human subject, which structures the entire storyboard. On the initial images it is only visible the unusual and dislocated silhouette of the building, but as the pedestrian approaches, the interior of the building and its floating platforms are revealed. In the later views of this sequence, the pedestrian curiously does not enter the library but passes just next to it. This seems to sustain the Benjaminian notion of architecture being collectively consumed and absorbed in a state of distraction. In this case, by not entering, the absent pedestrian appropriates this piece of architecture only by perception (or sight), entirely dismissing the complementary appropriation of architecture by use (or touch).

collage: mixing chamber

collage mixing chamber

This collage depicts the mixing chamber on the 5th floor of the Seattle Central Library, on the top of the floating platform dedicated for meeting rooms. This sort of representations is usually devised not to transmit an actual impression of space, but an intention of experience and atmosphere in a certain space. In this case, we can observe how patrons and librarians interact in a constant flow of interdisciplinary information, creating a stimulating environment of exchange. Upon closer inspection, it is possible to read the dialogues between individuals, which create the basic structure and most important feature of this space, namely social interactions (which can seem odd, given that it is a library). Remarkably this impression is transmitted not only by the serious accumulation of several agents, but also by the creation of small disconnected narratives, which do not follow the traditional linear structure of several different pieces necessarily following one after another to constitute a whole, but the existence of all these parallel (and possibly interconnected) stories create and transmit the notion of diversity and fluidity intended for this space. Interesting analogies to other (familiar) spaces are also embedded in this collage, namely by the positioning of informational screens and bar stools, attempting to translate the innovative idea of a “mixing chamber” by approximation (or hybridization) of other existing spaces.

floating platforms physical model

floating platforms model

In this example, the Seattle Central Library is represented by the conceptual physical model of the organization of its interior spaces, namely the overlapping of the floating platforms of program. This model illustrates the duality of spaces created, particularly the enclosed spaces inside the boxes and the open spaces on top of them, generated by the notion of compartmentalized flexibility. Also evident is the vertical circulation system comprised of several escalators connecting the different floors. Functioning as a linear and sequential system, this sequence of spaces seems comparable to a landscape by the railway. While the train speeds by the surrounding landscape, patrons of the library are efficiently transported towards the top by the escalators crossing the different spaces, creating a similar dissociation between people and the traversed surroundings. However, the experience elaborated for the travelers on the escalators attempts to actively engage with our current mode of perception by offering several views of artworks during their ascent and descent, as well as some glimpses into the crossed spaces. This system of escalators also contributes to the creation of a hyper-connectivity or geographical space within this building, where importance is conceded to the connecting nodes and withdrawn from the spaces in between.

photo: personal snap shot

flickr image fromform

In this image, the Seattle Central Library is illustrated in a personal photo uploaded on the popular photo sharing website flickr by the user fromform taken during the opening of the library. We can observe the playful interaction between the two friends and the metallic mesh on the 5th avenue entrance of the library. Unlike most common photographic records of this building, here the focus is on the people in the photograph and not on the library, which is relegated to mere scenery. However, by engaging with the façade’s net, they offer a new reading of the building, namely by giving a proper sense of the scale of this massive grid pattern of the façade. In this user’s online photo, as well as those of most other users, the viewer is invited to observe a private moment . This level of personal exposure is now available to everyone, and the boundaries between privacy and publicity become ever more blurred, mostly produced by the new business plan of web2.0 sites where users generate the content. This picture which serves to this specific user as a memento of the time spent at the library with her friend thus becomes another way through which this piece of architecture is mediated and exposed to the larger public.

see fromform’s photographic set of Seattle’s Central Library here