The Library That Puts on Fishnets and Hits the Disco
by Herbert Muschamp, published on May 16, 2004
“Quite apart from its strengths in structure, form and space, the building exemplifies Rem Koolhaas’s reliance on the architectural program: the organization of space according to use and function. Because of the clarity of this example, the Central Library’s impact on architecture could be profound.”
“Aesthetics have entered into the design of the building at the earliest stages of planning, in other words, before the purely visual decisions have been made. It is pointless, with this project, to separate formal and social organization. How people use a space is no less a matter of form than the most abstract visual composition. As such, a building program can be subject to aesthetic articulation. “
check the full version of the original review by the architectural critic of the New York Times here
This textual representation of the Seattle Central Library was written by the architectural critic of the New York Times (at the time), Herbert Muschamp. In this review, not only the specific physical spaces of this building are reviewed (and highly praised), but its conceptual framework is further explained. Moreover, in this article this architectural piece is also positioned in the current architectural discourse, in Seattle’s architectural landscape and in the architect’s conceptual ideas. This textual piece constructs architecture as an exercise beyond physical built space, as a discipline inhabiting several other dimensions. Here, the Seattle Central Library is described in a duality of solitary absorption spaces and crowd scenes arenas, where users become sometimes actors and some others spectators, but ends by arguing that it is in the delicate balance and fusion between these elements that art takes shape. In Muschamp’s praise of this building he also sees the importance of this structure not solely in the dramatic and pragmatic program rearrangement, but in the possibilities opened by it, much like the importance of computers not lying in their capacity for calculation, but in the fact that they enabled new generations of media. Like the computer experience, also this library displays a design based on a creative process and undertaken with the user in mind.