This photo appeared in the architectural journal, El Croquis as part of a mopnograph on Rem Koolhaas/OMA, where an extensive profile of this building is featured. It depicts the “urban living room” on SCL’s 3rd floor.
As you can see, the landscape orientation of the photo, spreading across two pages, focuses on a horizon where the glass skin meets the floor. Shot from a high angle (5th floor) and using an extremely wide-angle lens, as evidenced by the distortion in the foreground, this is an image of the building as landscape. People move through this landscape — their movement is evidenced also by distortion — but they are clearly not the subjects of this image. All of the dramatic diagonal lines lead the eye to a center where there are no people at all.
The dominant visual feature of the images is those diagonal lines, which cover almost the entire image and give the distinct impression of a net, as if a visual metaphor for a network, which is one of the dominant metaphors for society in the information age.
This image could also be said to express Bordieu’s explanation of “the true object of social science” which is not the individual, but the field. In this image, the individuals exist “as agents – not as biological individuals, actors, or subjects – who are socially constructed as active and acting in the field.” The field here being, graphically and dramatically, the library building itself.
There is further evidence of this conception of human individuals as agents in the field that is the building in the conceptual imagery and in the video-lecture by Joshua Prince-Ramus, the architect in charge of construction.